Battle, Ken. 2007. “Child poverty: The evolution and impact of child benefits.” Pp. 21-44 in A Question of Commitment: Children's Rights in Canada, edited by K. Covell and R. B. Howe. Waterloo, ON: Wilfrid Laurier University Press.
Ken Battle draws on his research as an extensively-published policy analyst, and a close study of some government documents, to explain child benefits in Canada. He outlines some fundamental assumptions supporting the belief that all society members should contribute to the upbringing of children. His comparison of Canadian child poverty rates to those in other countries provides a useful wake-up to anyone assuming Canadian society is doing a good job of protecting children from want. He pays particular attention to the National Child Benefit (NCB), arguing that it did not deserve the criticism it received from politicians and journalists. He outlines the NCB’s development, costs, and benefits, including its dollar contribution to a typical recipient’s income. He laments that the Conservative government scaled back the program in favour of the Universal Child Care Benefit (UCCB), and clearly explains why it is inferior. However, Battle relies too heavily on his own work; he is the sole or primary author of almost half the sources in his bibliography. He could make this work stronger by drawing from the perspectives of others' analyses. However, Battle does offer a valuable source for this essay, because the chapter provides a concise overview of government-funded assistance currently available to parents. This offers context for analyzing the scope and financial reality of child poverty in Canada.
Kerr, Don and Roderic Beaujot. 2003. “Child Poverty and Family Structure in Canada, 1981-1997.” Journal of Comparative Family Studies 34(3):321-335.
Sociology professors Kerr and Beaujot analyze the demographics of impoverished families. Drawing on data from Canada’s annual Survey of Consumer Finances, the authors consider whether each family had one or two parents, the age of single parents, and the number of children in each household. They analyze child poverty rates in light of both these demographic factors and larger economic issues. Kerr and Beaujot use this data to argue that
Aṣa (pronounced "Àshá"; born September 17, 1982) is a NigerianFrench singer, songwriter, and recording artist. Her stage name "Aṣa" means "Hawk" in Yoruba.
Born Bukola Elemide, Aṣa was born in Paris, France to her Nigerian parents. Her family returned to live in Nigeria when she was two. Aṣa grew up in a small town near Lagos, in the south-western part of Nigeria. Twenty years later, Aṣa returned to Paris where her life as an artist took off.
Whenever Asa came home from school in Nigeria, she discovered musical acts like Erykah Badu, D'Angelo, Raphael Saadiq, Lauryn Hill, Femi Kuti and Angélique Kidjo. This was while she was in pursuit of educational excellence, and these musical acts are whose footprints she dreamed of following.
Aṣa was the only female child in the family and had three brothers. At a young age she began to look after the house during her parents' frequent absences. This is when Aṣa started to sing. Over the years her father had built up a collection of records featuring soul classics and Nigerian music, including Marvin Gaye, Fela Kuti, Bob Marley, Aretha Franklin, King Sunny Adé, Ebenezer Obey and Lagbaja and Asa went on to draw inspiration from them.
In 2004 Aṣa met her manager and friend, Janet, who introduced her to Cobhams Emmanuel Asuquo, who in turn became her musical partner and producer.
At this stage of her life,[when?] Aṣa returned to Paris. Back in Nigeria, her first single, "Eyé Adaba," then "Jailer," were beginning to get airtime. Aṣa soon signed to Naïve Records. Partnered with Cobhams, and with the new involvement of Christophe Dupouy, she produced her first album, Aṣa. The release of the album saw Aṣa win the prestigious French Constantin Award in 2008, where she was voted best fresh talent of 10 singers or groups by a jury of 19 music-industry specialists in Paris.
Her second album, Beautiful Imperfection, was released on 25 October 2010. The lead single from Beautiful Imperfection is titled "Be My Man" and was released in late September. A video for the song was released in mid-October. She also performed with Féfé at the Sydney Festival in 2011.
In 2014, it was reported that before the release of Bed of Stone, Asa sold 400,000 albums worldwide.
|2009||"Fire on the Mountain"||-||-||Aṣa (Asha)|
|2010||"Be My Man"||89||76||Beautiful Imperfection|
|2011||"Why Can't We"||-||94|
|2012||"The Way I Feel"||-||-|
|"Ba Mi Dele"||-||-||Beautiful Imperfection (re-release)|
|2014||"Dead Again"||109||-||Bed of Stone|
- 2007: "Kokoya" - on the soundtrack to the film The First Cry
Awards and nominations
- 2008: Headies Album of the year
- 2008: Prix Constantin
- 2011: French Music Awards Victoires de la Musique nomination for "Female Artist of the Year".
- 2015: Headies nomination for "Best "R&B/Pop Album", "Best Alternative Song", "Best Vocal Performance (Female)", and "Best Recording of the Year"